
Auditions
Current Audition Opportunities
New Dance Call!
HEAD OVER HEELS
The Musical
Original Book by Jeff Whitty
Adaptation by James Magruder
Music by The Go-Go’s
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WHEN: Thursday April 24th, 7:30pm
WHERE: Armour Street Theatre/307 Armour St.
WHAT TO PREPARE: Come dressed to move! If you’re also a singer, bring a digital track to sing about a 1 minute selection. Blue tooth speaker will be provided.
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This production will be directed by Chris Patton, with Music Direction by Matthew Primm and Choreography by Rachel Peterson.
Rehearsals will take place at the Cain Center for the Arts in Cornelius.
Rehearsals will be weeknights and weekends beginning May 1
Performances will be June 18-29 at the Duke Family Performance Hall, located at 207 Faculty Dr, Davidson
Full rehearsal and performance schedule will be provided at the audition.
Got more questions? Contact Production Manager Carrie Cranford at carrie@davidsoncommunityplayers.org
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Head Over Heels is the bold new musical comedy from the visionaries that rocked Broadway with Hedwig and the Angry Inch, Avenue Q and Spring Awakening. This laugh-out-loud story is set to the music of the iconic 1980's all-female rock band The Go-Go's, including the hit songs, "We Got the Beat," "Vacation," and "Mad About You."
A hilarious, exuberant celebration of love, Head Over Heels follows the escapades of a royal family on an outrageous journey to save their beloved kingdom from extinction -- only to discover the key to their realm's survival lies within each of their own hearts. Through a plot containing usurped kingship, unlikely lovers, and gender-fluid disguises, Head Over Heels preaches unconditional love and acceptance.
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***Ages 16 and up. All races, ethnicities, body types, and gender expressions are welcome to audition for any of the roles listed. Strong vocal and comedic skills are vital to each character.***
ENSEMBLE: Casting 4 performers who must be strong dancers. Ensemble members portray unique, charismatic individuals who inhabit the kingdom of Arcadia and also minions to the Oracle, Pythio.
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Coming soon.
TS3 Special Event
SIX: The Musical
Teen Edition
By Toby Marlow & Lucy Moss
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WHEN:
Audition- Monday May 19, 6:30pmCallback- Tuesday May 20, 6:30pm
WHERE:
TBDWHAT TO PREPARE:
• Prepare roughly 1 minute of a pop or contemporary musical theatre song that best showcases your vocal talents. You must bring piano sheet music in the proper key. An accompanist will be provided.
• Audition will include a dance portion. You’ll be taught a combination and then perform it in groups. Be dressed to move!If you have accessibility needs, please indicate that on the audition form.
• If you’re unable to attend in person, video submissions are accepted. Just fill out the registration form using the link below, and we’ll follow up via email.
• Registration is required. Please review production information and register at the link below.
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Coming Soon.
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A full-length adaptation of Toby Marlow and Lucy Moss’ international phenomenon SIX, modified for performance by teen actors for family audiences!
Divorced, beheaded, died, divorced, beheaded, survived. From Tudor Queens to Pop Icons, the SIX wives of Henry VIII take the mic to remix five hundred years of historical heartbreak into a Euphoric Celebration of 21st-century girl power! This new original musical is the global sensation that everyone is losing their head over.
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ALL ROLES AVAILABLE
Ages 14-22 may audition.
PLEASE NOTE: At its heart, SIX is about celebrating the talent and individuality of the women and non-binary people onstage. The Queens should therefore be played by people who feel on a personal level that this is their story to tell.
CATHERINE OF ARAGON – A real badass monarch. Commanding, sure of herself, bold. She lights up the room. (Range: Ab3-Eb5)
ANNE BOLEYN – Fun-loving, always up for a laugh. Never takes anything too seriously, but at the same time lives for the drama. Some have described her as a “chaos goblin.” (Range: C4-E5)
JANE SEYMOUR – Kind and sincere. Loves a dad joke, but no one is ever impressed with Jane’s attempts at comedy. (Range: A3-D5)
ANNA OF CLEVES – Savvy, loves her life, won history and no one even knows it. Cleves is here for a good time. (Range: G3-B4)
KATHERINE HOWARD – Super smart with a wicked sense of humor. Remembered as “the promiscuous one” – but she is SO much more than that. (Range: A3-F#5)
CATHERINE PARR – Grounded, thoughtful and warm. Loves the other queens. A champion of female empowerment. (Range: A3-E5)
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Coming soon.
TS3 Presents
JESUS CHRIST SUPERSTAR
Music by Andrew Lloyd Webber
Lyrics by Tim Rice
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WHEN:
Auditions – Saturday, May 3, 4:00 PM
Callbacks – Saturday, May 17, 4:00 PMWHERE:
Cain Center for the Arts
21348 Catawba Ave, Cornelius, NCWHAT TO PREPARE:
• Prepare roughly 1 minute of a rock or contemporary musical theatre song that best showcases your vocal talents. Please bring piano sheet music in the correct key. An accompanist will be provided.
• Auditions will include readings from the script. These selections will be emailed to you 1 week prior to your audition.
• If you have accessibility needs, please note them on the audition form.
• If you’re unavailable for in-person auditions, video submissions are accepted. Fill out the registration form linked below, and we’ll follow up via email.
• Registration is required. Please review the production details and register at the link below. -
Coming soon.
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Following the sold-out success of Footloose at the Cain Center, this year’s TS3: Teen Summer Stock Series production will be the legendary head banging musical told through Judas Iscariot’s eyes. The region’s most talented high school and college actors are ready to rock out to one of the world’s oldest stories!
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ALL ROLES AVAILABLE
Ages 14-22 may audition.
PLEASE NOTE: All actors are encouraged to audition for any role they feel they can fully embrace, regardless of traditional casting or gender.
LEADS
Jesus of Nazareth- Rock Tenor
Judas Iscariot- Rock Tenor
Mary Magdalene- Belter/Indie Mix
King Herod- High Baritone
Caiaphas- Low Bass/Rocky Top
Peter- Tenor
Pontius Pilate- Rock Baritone
Simon Zealotes- High Baritone, Strong Dancer
Annas- High Baritone
ENSEMBLE
Casting 25-30 singing/dancing ensemble members to portray Lepers, Cured Lepers, Merchants, Apostles, Soldiers, Judas's Tormentors, Reporters, Temple Ladies, and Soul Girls.
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Coming soon.
AUDITION WITH DCP
Join Us On Stage
DCP is a place where you in the audience can also have the chance to be on stage. Acting with DCP is largely volunteer-based, though financial assistance and actor stipends may be available depending on the show’s needs.
About Auditioning
DCP encourages everyone to audition for a show regardless of your acting experience. We want you to feel comfortable at auditions, and we strive to make this a rewarding experience for everyone.
In order to provide you with the best audition experience possible, we have compiled a few helpful hints and bits of information about the audition and rehearsal process.
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Read over the audition notice thoroughly. The audition information will provide details about character description, audition requirements, and general information about the rehearsal schedule.
Read the script and/or research the play. For non-musicals, directors generally ask for cold readings from sides, which are scene selections from the script, so familiarity with the script is certainly beneficial.
If you are auditioning for a musical, you will be asked to perform a song of your choice as well as participating in a group dance audition. You will need to provide sheet music for the accompanist at the audition. Choose a song that showcases your voice. Read the audition notice carefully to see if there is a particular style of song requested by the director. DCP offers musical theatre audition workshops, which are a great way to prepare for auditions!
Update your resume and headshot. Your resume should include your theatre and/or performance experience, if any. If you have special skills or training that is relevant to theatre, please list on the resume. Your headshot does not need to be professional; however, it is suggested that it be a recent photograph.
Pre-register for the audition if instructed to do so.
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Depending on the director, auditions may be run by appointment or as large group blocks.
For a non-musical, you will be asked to do cold readings with others who are auditioning.
For musicals, you will be asked to perform your musical selection and then learn and present a dance sequence. The director may ask you to do a cold reading as well.
If you are auditioning for a Connie Company production, you may be asked to participate in theatre games and improvisations.
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Some directors will schedule a “callback,” or second round of auditions. You will be notified by phone or email if you have been invited to a callback. Being called back does not mean you are cast in the production and likewise NOT being called back doesn’t mean that you are NOT cast in the production.
Casting the show is the responsibility of the director and, in the case of a musical, the music director.
Casting offers will be made by phone or email. After the cast is confirmed, the cast list will be posted publicly. DCP will send out notices to those who are not cast via email.
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Rehearsal schedules are variable, and we try to alternate schedules to provide accessible options to folks with all sorts of work and personal commitments. In general, plays rehearse 6 weeks and musicals 8-10 weeks. The director and stage manager will provide a rehearsal schedule ASAP following casting.
Actors are expected to disclose all conflicts prior to casting. No conflicts will be honored during tech week or performance weeks.
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For both professional and amateur actors, the results of an audition are largely out of your control. Directors must balance countless factors before defining a cast, and the strength of your audition is only one element.
So, do your best, have fun, and if you aren’t cast, don’t be discouraged. Come back next time!
NON-DISCRIMINATION POLICY:
All roles, unless otherwise announced, are open. DCP encourages anyone who is interested to audition and we are always eager to welcome new faces and fresh talent to our stage. Except as specifically required by the playwright for certain roles, DCP provides equal opportunity to all individuals regardless of race, color, religion, gender identity or expression, sexual orientation, age, disability, or any other characteristic protected by law.